1vwsnd - Sound driver for the Silicon Graphics 320 and 540 Visual 2Workstations' onboard audio. 3 4Copyright 1999 Silicon Graphics, Inc. All rights reserved. 5 6 7At the time of this writing, March 1999, there are two models of 8Visual Workstation, the 320 and the 540. This document only describes 9those models. Future Visual Workstation models may have different 10sound capabilities, and this driver will probably not work on those 11boxes. 12 13The Visual Workstation has an Analog Devices AD1843 "SoundComm" audio 14codec chip. The AD1843 is accessed through the Cobalt I/O ASIC, also 15known as Lithium. This driver programs both both chips. 16 17============================================================================== 18QUICK CONFIGURATION 19 20 # insmod soundcore 21 # insmod vwsnd 22 23============================================================================== 24I/O CONNECTIONS 25 26On the Visual Workstation, only three of the AD1843 inputs are hooked 27up. The analog line in jacks are connected to the AD1843's AUX1 28input. The CD audio lines are connected to the AD1843's AUX2 input. 29The microphone jack is connected to the AD1843's MIC input. The mic 30jack is mono, but the signal is delivered to both the left and right 31MIC inputs. You can record in stereo from the mic input, but you will 32get the same signal on both channels (within the limits of A/D 33accuracy). Full scale on the Line input is +/- 2.0 V. Full scale on 34the MIC input is 20 dB less, or +/- 0.2 V. 35 36The AD1843's LOUT1 outputs are connected to the Line Out jacks. The 37AD1843's HPOUT outputs are connected to the speaker/headphone jack. 38LOUT2 is not connected. Line out's maximum level is +/- 2.0 V peak to 39peak. The speaker/headphone out's maximum is +/- 4.0 V peak to peak. 40 41The AD1843's PCM input channel and one of its output channels (DAC1) 42are connected to Lithium. The other output channel (DAC2) is not 43connected. 44 45============================================================================== 46CAPABILITIES 47 48The AD1843 has PCM input and output (Pulse Code Modulation, also known 49as wavetable). PCM input and output can be mono or stereo in any of 50four formats. The formats are 16 bit signed and 8 bit unsigned, 51u-Law, and A-Law format. Any sample rate from 4 KHz to 49 KHz is 52available, in 1 Hz increments. 53 54The AD1843 includes an analog mixer that can mix all three input 55signals (line, mic and CD) into the analog outputs. The mixer has a 56separate gain control and mute switch for each input. 57 58There are two outputs, line out and speaker/headphone out. They 59always produce the same signal, and the speaker always has 3 dB more 60gain than the line out. The speaker/headphone output can be muted, 61but this driver does not export that function. 62 63The hardware can sync audio to the video clock, but this driver does 64not have a way to specify syncing to video. 65 66============================================================================== 67PROGRAMMING 68 69This section explains the API supported by the driver. Also see the 70Open Sound Programming Guide at http://www.opensound.com/pguide/ . 71This section assumes familiarity with that document. 72 73The driver has two interfaces, an I/O interface and a mixer interface. 74There is no MIDI or sequencer capability. 75 76============================================================================== 77PROGRAMMING PCM I/O 78 79The I/O interface is usually accessed as /dev/audio or /dev/dsp. 80Using the standard Open Sound System (OSS) ioctl calls, the sample 81rate, number of channels, and sample format may be set within the 82limitations described above. The driver supports triggering. It also 83supports getting the input and output pointers with one-sample 84accuracy. 85 86The SNDCTL_DSP_GETCAP ioctl returns these capabilities. 87 88 DSP_CAP_DUPLEX - driver supports full duplex. 89 90 DSP_CAP_TRIGGER - driver supports triggering. 91 92 DSP_CAP_REALTIME - values returned by SNDCTL_DSP_GETIPTR 93 and SNDCTL_DSP_GETOPTR are accurate to a few samples. 94 95Memory mapping (mmap) is not implemented. 96 97The driver permits subdivided fragment sizes from 64 to 4096 bytes. 98The number of fragments can be anything from 3 fragments to however 99many fragments fit into 124 kilobytes. It is up to the user to 100determine how few/small fragments can be used without introducing 101glitches with a given workload. Linux is not realtime, so we can't 102promise anything. (sigh...) 103 104When this driver is switched into or out of mu-Law or A-Law mode on 105output, it may produce an audible click. This is unavoidable. To 106prevent clicking, use signed 16-bit mode instead, and convert from 107mu-Law or A-Law format in software. 108 109============================================================================== 110PROGRAMMING THE MIXER INTERFACE 111 112The mixer interface is usually accessed as /dev/mixer. It is accessed 113through ioctls. The mixer allows the application to control gain or 114mute several audio signal paths, and also allows selection of the 115recording source. 116 117Each of the constants described here can be read using the 118MIXER_READ(SOUND_MIXER_xxx) ioctl. Those that are not read-only can 119also be written using the MIXER_WRITE(SOUND_MIXER_xxx) ioctl. In most 120cases, <sys/soundcard.h> defines constants SOUND_MIXER_READ_xxx and 121SOUND_MIXER_WRITE_xxx which work just as well. 122 123SOUND_MIXER_CAPS Read-only 124 125This is a mask of optional driver capabilities that are implemented. 126This driver's only capability is SOUND_CAP_EXCL_INPUT, which means 127that only one recording source can be active at a time. 128 129SOUND_MIXER_DEVMASK Read-only 130 131This is a mask of the sound channels. This driver's channels are PCM, 132LINE, MIC, CD, and RECLEV. 133 134SOUND_MIXER_STEREODEVS Read-only 135 136This is a mask of which sound channels are capable of stereo. All 137channels are capable of stereo. (But see caveat on MIC input in I/O 138CONNECTIONS section above). 139 140SOUND_MIXER_OUTMASK Read-only 141 142This is a mask of channels that route inputs through to outputs. 143Those are LINE, MIC, and CD. 144 145SOUND_MIXER_RECMASK Read-only 146 147This is a mask of channels that can be recording sources. Those are 148PCM, LINE, MIC, CD. 149 150SOUND_MIXER_PCM Default: 0x5757 (0 dB) 151 152This is the gain control for PCM output. The left and right channel 153gain are controlled independently. This gain control has 64 levels, 154which range from -82.5 dB to +12.0 dB in 1.5 dB steps. Those 64 155levels are mapped onto 100 levels at the ioctl, see below. 156 157SOUND_MIXER_LINE Default: 0x4a4a (0 dB) 158 159This is the gain control for mixing the Line In source into the 160outputs. The left and right channel gain are controlled 161independently. This gain control has 32 levels, which range from 162-34.5 dB to +12.0 dB in 1.5 dB steps. Those 32 levels are mapped onto 163100 levels at the ioctl, see below. 164 165SOUND_MIXER_MIC Default: 0x4a4a (0 dB) 166 167This is the gain control for mixing the MIC source into the outputs. 168The left and right channel gain are controlled independently. This 169gain control has 32 levels, which range from -34.5 dB to +12.0 dB in 1701.5 dB steps. Those 32 levels are mapped onto 100 levels at the 171ioctl, see below. 172 173SOUND_MIXER_CD Default: 0x4a4a (0 dB) 174 175This is the gain control for mixing the CD audio source into the 176outputs. The left and right channel gain are controlled 177independently. This gain control has 32 levels, which range from 178-34.5 dB to +12.0 dB in 1.5 dB steps. Those 32 levels are mapped onto 179100 levels at the ioctl, see below. 180 181SOUND_MIXER_RECLEV Default: 0 (0 dB) 182 183This is the gain control for PCM input (RECording LEVel). The left 184and right channel gain are controlled independently. This gain 185control has 16 levels, which range from 0 dB to +22.5 dB in 1.5 dB 186steps. Those 16 levels are mapped onto 100 levels at the ioctl, see 187below. 188 189SOUND_MIXER_RECSRC Default: SOUND_MASK_LINE 190 191This is a mask of currently selected PCM input sources (RECording 192SouRCes). Because the AD1843 can only have a single recording source 193at a time, only one bit at a time can be set in this mask. The 194allowable values are SOUND_MASK_PCM, SOUND_MASK_LINE, SOUND_MASK_MIC, 195or SOUND_MASK_CD. Selecting SOUND_MASK_PCM sets up internal 196resampling which is useful for loopback testing and for hardware 197sample rate conversion. But software sample rate conversion is 198probably faster, so I don't know how useful that is. 199 200SOUND_MIXER_OUTSRC DEFAULT: SOUND_MASK_LINE|SOUND_MASK_MIC|SOUND_MASK_CD 201 202This is a mask of sources that are currently passed through to the 203outputs. Those sources whose bits are not set are muted. 204 205============================================================================== 206GAIN CONTROL 207 208There are five gain controls listed above. Each has 16, 32, or 64 209steps. Each control has 1.5 dB of gain per step. Each control is 210stereo. 211 212The OSS defines the argument to a channel gain ioctl as having two 213components, left and right, each of which ranges from 0 to 100. The 214two components are packed into the same word, with the left side gain 215in the least significant byte, and the right side gain in the second 216least significant byte. In C, we would say this. 217 218 #include <assert.h> 219 220 ... 221 222 assert(leftgain >= 0 && leftgain <= 100); 223 assert(rightgain >= 0 && rightgain <= 100); 224 arg = leftgain | rightgain << 8; 225 226So each OSS gain control has 101 steps. But the hardware has 16, 32, 227or 64 steps. The hardware steps are spread across the 101 OSS steps 228nearly evenly. The conversion formulas are like this, given N equals 22916, 32, or 64. 230 231 int round = N/2 - 1; 232 OSS_gain_steps = (hw_gain_steps * 100 + round) / (N - 1); 233 hw_gain_steps = (OSS_gain_steps * (N - 1) + round) / 100; 234 235Here is a snippet of C code that will return the left and right gain 236of any channel in dB. Pass it one of the predefined gain_desc_t 237structures to access any of the five channels' gains. 238 239 typedef struct gain_desc { 240 float min_gain; 241 float gain_step; 242 int nbits; 243 int chan; 244 } gain_desc_t; 245 246 const gain_desc_t gain_pcm = { -82.5, 1.5, 6, SOUND_MIXER_PCM }; 247 const gain_desc_t gain_line = { -34.5, 1.5, 5, SOUND_MIXER_LINE }; 248 const gain_desc_t gain_mic = { -34.5, 1.5, 5, SOUND_MIXER_MIC }; 249 const gain_desc_t gain_cd = { -34.5, 1.5, 5, SOUND_MIXER_CD }; 250 const gain_desc_t gain_reclev = { 0.0, 1.5, 4, SOUND_MIXER_RECLEV }; 251 252 int get_gain_dB(int fd, const gain_desc_t *gp, 253 float *left, float *right) 254 { 255 int word; 256 int lg, rg; 257 int mask = (1 << gp->nbits) - 1; 258 259 if (ioctl(fd, MIXER_READ(gp->chan), &word) != 0) 260 return -1; /* fail */ 261 lg = word & 0xFF; 262 rg = word >> 8 & 0xFF; 263 lg = (lg * mask + mask / 2) / 100; 264 rg = (rg * mask + mask / 2) / 100; 265 *left = gp->min_gain + gp->gain_step * lg; 266 *right = gp->min_gain + gp->gain_step * rg; 267 return 0; 268 } 269 270And here is the corresponding routine to set a channel's gain in dB. 271 272 int set_gain_dB(int fd, const gain_desc_t *gp, float left, float right) 273 { 274 float max_gain = 275 gp->min_gain + (1 << gp->nbits) * gp->gain_step; 276 float round = gp->gain_step / 2; 277 int mask = (1 << gp->nbits) - 1; 278 int word; 279 int lg, rg; 280 281 if (left < gp->min_gain || right < gp->min_gain) 282 return EINVAL; 283 lg = (left - gp->min_gain + round) / gp->gain_step; 284 rg = (right - gp->min_gain + round) / gp->gain_step; 285 if (lg >= (1 << gp->nbits) || rg >= (1 << gp->nbits)) 286 return EINVAL; 287 lg = (100 * lg + mask / 2) / mask; 288 rg = (100 * rg + mask / 2) / mask; 289 word = lg | rg << 8; 290 291 return ioctl(fd, MIXER_WRITE(gp->chan), &word); 292 } 293 294